An Aesthetics of Injury

At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in ...

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Author: Ian Fleishman

Publisher: Northwestern University Press

ISBN: 0810136791

Category: Literary Criticism

Page: 318

View: 321

An Aesthetics of Injury exposes wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound—texts that aim not only to depict but also to inflict injury—Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers: Charles Baudelaire, Franz Kafka, Georges Bataille, Jean Genet, Hélène Cixous, Ingeborg Bachmann, Elfriede Jelinek, Werner Schroeter, Michael Haneke, and Quentin Tarantino. Violence in the modernist mode, an ostensible intrusion of raw bodily harm into the artwork, aspires to transcend its own textuality, and yet, as An Aesthetics of Injury establishes, the wound paradoxically remains the essence of inscription. Fleishman thus shows how the wound, once the modernist emblem par excellence of an immediate aesthetic experience, comes to be implicated in a postmodern understanding of reality reduced to ceaseless mediation. In so doing, he demonstrates how what we think of as the most real object, the human body, becomes indistinguishable from its “nonreal” function as text. At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in narrative at all). With fresh and revealing readings of canonical authors and filmmakers seldom treated alongside one another, An Aesthetics of Injury is important reading for scholars working on literary or cinematic modernism and the postmodern, philosophy, narratology, body culture studies, queer and gender studies, trauma studies, and cultural theory.

Literary Aesthetics of Trauma

Finally, it is significant to note Freud's (1920: 12, 33) assertion in Beyond the Pleasure Principle that a physical wound or injury inflicted during the traumatic event would actually diminish the chance of developing a traumatic ...

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Author: Reina Van der Wiel

Publisher: Springer

ISBN: 9781137311016

Category: Literary Criticism

Page: 255

View: 350

Literary Aesthetics of Trauma: Virginia Woolf and Jeanette Winterson investigates a fundamental shift, from the 1920s to the present day, in the way that trauma is aesthetically expressed. Modernism's emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.

Prison Cultures

McAvinchey says he 'proposes new models of theoretical engagement which re-frame the political and aesthetic ... ideas about the healing possibilities of narrative recall, and how these may support 'an aesthetics of injury' (2011a: 9) ...

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Author: Aylwyn Walsh

Publisher: Intellect Books

ISBN: 9781789381061

Category: Social Science

Page:

View: 523

Prison Cultures offers the first systematic examination of women in prison and performances in and of the institution. Using a feminist approach to reach beyond tropes of 'bad girls' and simplistic inside vs. outside dynamics, it examines how cultural products can perpetuate or disrupt hegemonic understandings of the world of prisons. The book identifies how and why prison functions as a fixed field and postulates new ways of viewing performances in and of prison that trouble the institution, with a primary focus on the United Kingdom and examples from popular culture. A new contribution to the fields of feminist cultural criticism and prison studies, Aylwyn Walsh explores how the development of a theory of resistance and desire is central to the understanding of women’s incarceration. It problematizes the prevalence of purely literary analysis or case studies that proffer particular models of arts practice as transformative of offending behaviour.

Performance Affects

(1999) 'Transgressive Storytelling or an Aesthetics of Injury: Performance, Pedagogy and Ethics', Theatre Research in Canada, 20, 1, 34–51. –– (2001) 'Change on Whose Terms? Testimony and an Erotics of Injury', Theater, 31, 3, 119–25.

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Author: J. Thompson

Publisher: Springer

ISBN: 9780230242425

Category: Performing Arts

Page: 205

View: 298

Performance Affects explores performance projects in disaster and war zones to argue that joy, beauty and celebration should be the inspiration for the politics of community-based or participatory performance practice, seeking to realign the field of Applied Theatre away from effects towards an affective role, connected to sensations of pleasure.

Postcolonial Asylum

Julie Salverson has cautioned against using empathetic staging merely to produce 'aesthetics of injury'. What is required, Salverson insists, is a performative mode that, in Levinasian terms, bears witness to both the said (the ...

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Author: David Farrier

Publisher: Liverpool University Press

ISBN: 9781781388129

Category: Literary Criticism

Page: 247

View: 802

Postcolonial Asylum is concerned with asylum as a key emerging postcolonial field. Through an engagement with asylum legislation, legal theory and ethics, David Farrier argues that the exclusionary culture of host nations casts asylum seekers as contemporary incarnations of the infrahuman object of colonial sovereignty. Postcolonial Asylum includes readings of the work of asylum seeker and postcolonial authors and filmmakers, including J.M. Coetzee, Caryl Phillips, Abdulrazak Gurnah, Leila Aboulela, Stephen Frears, Pawel Pawlikowski and Michael Winterbottom. These readings are framed by the work of postcolonial theorists (Homi Bhabha, Gayatri Chakravorty Spivak, Paul Gilroy, Achille Mbembe), as well as other influential thinkers (Giorgio Agamben, Jacques Derrida, Jacques Rancière, Emmanuel Levinas, Étienne Balibar, Zygmunt Bauman), in order to institute what Spivak calls a ‘step beyond’ postcolonial studies; one that carries with it the insights and limitations of the discipline as it looks to new ways for postcolonial studies to engage with the world.

Aesthetics in a Multicultural Age

As if to modify those claims a bit, Kathleen McHugh suggests that the aesthetic might be more of an injury or wound than an ideology of control. In "The Aesthetics of Wounding: Trauma, Self-Representation, and the Critical Voice," ...

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Author: Emory Elliott

Publisher: Oxford University Press

ISBN: 9780198033448

Category: Literary Criticism

Page: 320

View: 442

Aesthetics in a Multicultural Age examines a variety of significant multidisciplinary and multicultural topics within the subject of aesthetics. Addressing the vexed relation of the arts and criticism to current political and cultural concerns, the contributors to this volume attempt to bridge the two decades-old gap between scholars and critics who hold conflicting views of the purposes of art and criticism. By exploring some of the ways in which global migration and expanding ethnic diversity are affecting cultural productions and prompting reassessment of the nature and role of aesthetic discourse, this volume provides a new evaluation of aesthetic ideas and practices within contemporary arts and letters.

Applied Theatre Resettlement

Salverson, J. (1999), 'Transgressive storytelling or an aesthetics of injury: Performance, pedagogy and ethics', Theatre Research in Canada, 20(1), available at http://journals.hil.unb.ca/index.php/tric/article/ view/7096/8155 (no ...

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Author: Michael Balfour

Publisher: Bloomsbury Publishing

ISBN: 9781472522399

Category: Performing Arts

Page: 248

View: 967

The book offers a compelling combination of analyis and detailed description of aesthetic projects with young refugee arrivals in Australia. In it the authors present a framework that contextualises the intersections of refugee studies, resilience and trauma, and theatre and arts-based practice, setting out a context for understanding and valuing the complexity of drama in this growing area of applied theatre. Applied Theatre: Resettlement includes rich analysis of three aesthetic case studies in Primary, Secondary and Further Education contexts with young refugees. The case studies provide a unique insight into the different age specific needs of newly arrived young people. The authors detail how each group and educational context shaped diverse drama and aesthetic responses: the Primary school case study uses process drama as a method to enhance language acquisition and develop intercultural literacy; the Secondary school project focuses on Forum Theatre and peer teaching with young people as a means of enhancing language confidence and creating opportunities for cultural competency in the school community, and the further education case study explores work with unaccompanied minors and employs integrated multi art forms (poetry, art, drama, digital arts, clay sculptures and voice work) to increase confidence in language acquisition and explore different forms of expression and communication about the transition process. Through its careful framing of practice to speak to concerns of power, process, representation and ethics, the authors ensure the studies have an international relevance beyond their immediate context. Drama, Refugees and Resilience contributes to new professional knowledge building in the fields of applied theatre and refugee studies about the efficacy of drama practice in enhancing language acquisition, cultural settlement and pedagogy with newly arrived refugee young people.

Dementia Narrative and Performance

Yet, as Salverson (1996) goes on to argue, in creating theatres based on 'real-life' stories of trauma or oppression, faithfully mimetic theatrical representations may end ... Salverson terms this “an aesthetic of injury” (2001, 122).

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Author: Janet Gibson

Publisher: Springer Nature

ISBN: 9783030465476

Category: Performing Arts

Page: 298

View: 753

Focusing mainly on case studies from Australia and the United States of America, this book considers how people with dementia represent themselves and are represented in ‘theatre of the real’ productions and care home interventions, assessing the extent to which the ‘right kind’ of dementia story is being affirmed or challenged. It argues that this type of story — one of tragedy, loss of personhood, biomedical deficit, and socio-economic ‘crisis — produces dementia and the people living with it, as much as biology does. It proposes two novel ideas. One is that the ‘gaze’ of theatre and performance offers a reframing of some of the behaviours and actions of people with dementia, through which deficit views can be changed to ones of possibility. The other is that, conversely, dementia offers productive perspectives on ’theatre of the real’. Scanning contemporary critical studies about and practices of ‘theatre of the real’ performances and applied theatre interventions, the book probes what it means when certain ‘theatre of the real’ practices (specifically verbatim and autobiographical) interact with storytellers considered, culturally, to be ‘unreliable narrators’. It also explores whether autobiographical theatre is useful in reinforcing a sense of ‘self’ for those deemed no longer to have one. With a focus on the relationship between stories and selves, the book investigates how selves might be rethought so that they are not contingent on the production of lucid self-narratives, consistent language, and truthful memories.

The Queer Aesthetics of Childhood

Offering an aesthetic and affective mode of inquiry into the violent effects of settlercolonialism on children's development, ... Puar offers a method for thinking about the “economy of injury” in Gaza and deficits of empathy.

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Author: Hannah Dyer

Publisher: Rutgers University Press

ISBN: 9781978803992

Category: Art

Page: 171

View: 407

In The Queer Aesthetics of Childhood, Hannah Dyer offers a study of how children's art and art about childhood can forecast new models of social life that redistribute care, belonging, and political value. She asserts that in the aesthetics of childhood, a more just future can be conjured.

Fateful Beauty

... aesthetic poverty modulates into aesthetic injury affecting the woman of fashion as well as the factory girl. And by the end, distinctions between classes have been leveled by an ugliness so extensive that it can only be escaped ...

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Author: Douglas Mao

Publisher: Princeton University Press

ISBN: 0691146616

Category: History

Page: 328

View: 542

When Oscar Wilde said he had "seen wallpaper which must lead a boy brought up under its influence to a life of crime," his joke played on an idea that has often been taken quite seriously--both in Wilde's day and in our own. In Fateful Beauty, Douglas Mao recovers the lost intellectual, social, and literary history of the belief that the beauty--or ugliness--of the environment in which one is raised influences or even determines one's fate. Weaving together readings in literature, psychology, biology, philosophy, education, child-rearing advice, and interior design, he shows how this idea abetted a dramatic rise in attention to environment in many discourses and in many practices affecting the lives of the young between the late nineteenth century and the middle of the twentieth. Through original and detailed analyses of Wilde, Walter Pater, James Joyce, Theodore Dreiser, Rebecca West, and W. H. Auden, Mao shows that English-language writing of the period was informed in crucial but previously unrecognized ways by the possibility that beautiful environments might produce better people. He also reveals how these writers shared concerns about environment, evolution, determinism, freedom, and beauty with scientists and social theorists such as Herbert Spencer, Hermann von Helmholtz, Ivan Petrovich Pavlov, and W.H.R. Rivers. In so doing, Mao challenges conventional views of the roles of beauty and the aesthetic in art and life during this time.