Castle Rackrent and Ennui

This volume also includes Ennui, the entertaining 'confessions' of the Earl of Glenthorn, a bored, spoiled aristocrat.

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Author: Maria Edgeworth

Publisher: Penguin UK

ISBN: 9780141904870

Category: Fiction

Page: 368

View: 580

Thady Quirk, devoted steward to the decaying estate of the Rackrent family, narrates a riotous story of four generations of a dying dynasty in Castle Rackrent (1800). Thady will defend his masters to the end, but eventually his naivety and blind loyalty cause him to ignore the warning signs as the family's excesses lead them to ruin. This volume also includes Ennui, the entertaining 'confessions' of the Earl of Glenthorn, a bored, spoiled aristocrat. Desperate to be free from 'the demon of ennui', Glenthorn's quest for happiness takes him through violence and revolution, and leads to intriguing twists of fate. Both novels offer a darkly comic and satirical exposé of the Irish class system, and a portrait of a nation in turmoil.

An Uncomfortable Authority

Castle Rackrent and Ennui ( London : Penguin , 1992 ) , 50-54 ; Ina Ferris , The Achievement of Literary Authority : Gender , History , and the Waverley Novels ( Ithaca : Cornell University Press , 1991 ) ; and Katie Trumpener , Bardic ...

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Author: Heidi Kaufman

Publisher: University of Delaware Press

ISBN: 0874138787

Category: Biography & Autobiography

Page: 290

View: 557

In recent years, Maria Edgeworth (1768-1849) has been the subject of increasing interest. This collection of essays builds on scholarship that has helped canonize Edgeworth's writing. It also raises new questions about her place in English and Irish history, literary history, and women's history. In many ways, Edgeworth's entire adult life was an attempt to reconcile the irreconcilable, an attempt to justify and preserve her own privileged position even as she acknowledged the tenuousness of that position and as she sought to claim other privileges denied her. Edgeworth's writing challenges readers to understand her historical contexts as much as it obliged her to confront the politics of her literary authority.

Disaffected Parties

87 Maria Edgeworth, Castle Rackrent and Ennui, ed. Marilyn Butler (London: Penguin, 1992), 145, 141. 88 Castle Rackrent and Ennui, 145, 178. 89 Castle Rackrent and Ennui, 166. 90 Castle Rackrent and Ennui, 244, 247. 91 Castle Rackrent ...

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Author: John Owen Havard

Publisher: Oxford University Press

ISBN: 9780192569547

Category: Literary Criticism

Page: 272

View: 536

Disaffected Parties reveals how alienation from politics effected crucial changes to the shape and status of literary form. Recovering the earliest expressions of grumbling, irritability, and cynicism towards politics, this study asks how unsettled partisan legacies converged with more recent discontents to forge a seminal period in the making of English literature, and thereby poses wide-ranging questions about the lines between politics and aesthetics. Reading works including Laurence Sterne's Tristram Shandy, James Boswell's Life of Johnson, the novels of Maria Edgeworth and Jane Austen, and the satirical poetry of Lord Byron in tandem with print culture and partisan activity, this book shows how these writings remained animated by disaffected impulses and recalcitrant energies at odds with available party positions and emerging governmental norms—even as they sought to imagine perspectives that looked beyond the divided political world altogether. 'No one can be more sick of-or indifferent to politics than I am' Lord Byron wrote in 1820. Between the later eighteenth century and the Romantic age, disaffected political attitudes acquired increasingly familiar shapes. Yet this was also a period of ferment in which unrest associated with the global age of revolutions (including a dynamic transatlantic opposition movement) collided with often inchoate assemblages of parties and constituencies. As writers adopted increasingly emphatic removes from the political arena and cultivated familiar stances of cynicism, detachment, and retreat, their estrangement also promised to loop back into political engagement-and to make their works 'parties' all their own.