Timelines of American Literature

Another new journal, Literature in the Early American Republic: Annual Studies on Cooper and His Contemporaries, reframes the period around a major author who is only now receiving full biographical treatment and the beginnings of a ...

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Author: Cody Marrs

Publisher: JHU Press

ISBN: 9781421427140

Category: Literary Criticism

Page: 360

View: 861

What is our definition of "modernismif we imagine it stretching from 1865 to 1965 instead of 1890 to 1945? How does the captivity narrative change when we consider it as a contemporary, not just a "colonial,genre? What does the course of American literature look like set against the backdrop of federal denials of Native sovereignty or housing policies that exacerbated segregation? Filled with challenges to scholars, inspirations for teachers (anchored by an appendix of syllabi), and entry points for students, Timelines of American Literature gathers some of the most exciting new work in the field to showcase the revelatory potential of fresh thinking about how we organize the literary past.

Hispanicism and Early US Literature

“Pirates, Patriots, and the Mexican War: Jack Tier and Cooper's Argument with the Nation.” Literature in the Early American Republic: Annual Studies on Cooper and His Contemporaries 3:173–96. Ignatiev, Noel. 1995.

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Author: John C. Havard

Publisher: University of Alabama Press

ISBN: 9780817319779

Category: History

Page: 222

View: 479

Well-researched analysis of the impact that Spain and Spanish America had on antebellum literature in the United States. In Hispanicism and Early US Literature, author John C. Havard posits that representations of Spain, Spanish America, Spanishness, and Spanish Americanness are integral elements in the evolution of early national and antebellum US literature. He argues that Spanish-speaking countries have long held a broad fascination for Americans and that stock narratives regarding these peoples were central to the period’s US literature. Beginning with the work of eighteenth-century literary nationalists such as Joel Barlow, US literature has been drawn to reflect on Spain and Spanish America. Such reflection was often inspired by geopolitical conflicts such as US expansion into Spanish Louisiana and the US-Mexican War. Havard terms the discourse emerging from these reflections “Hispanicism.” This discourse was used to portray the dominant viewpoint of classical liberalism that propounded an American exceptionalism premised on the idea that Hispanophone peoples were comparatively lacking the capacity for self-determination, hence rationalizing imperialism. On the conservative side were warnings against progress through conquest. Havard delves into selected works of early national and antebellum literature on Spain and Spanish America to illuminate US national identity. Poetry and novels by Joel Barlow, James Fenimore Cooper, and Herman Melville are mined to further his arguments regarding identity, liberalism, and conservatism. Understudied authors Mary Peabody Mann and José Antonio Saco are held up to contrast American and Cuban views on Hispanicism and Cuban annexation as well as to develop the focus on nationality and ideology via differences in views on liberalism. More than just a work of literary criticism, there is a substantial amount of cultural and political history discussed. Havard’s use of archival sources such as political articles and personal correspondence elucidates not just literary genres and movements such as early national epic poetry, abolitionist fiction, and the American Renaissance, but also US culture writ large.

The Moral Economies of American Authorship

review that appeared in the Southern Literary Messenger remarked that Cooper's “spirit seemed to languish beneath a foreign ... Literature in the Early American Republic: Annual Studies on Cooper and His Contemporaries 2 (2010): pp.

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Author: Susan M. Ryan (Ph. D.)

Publisher: Oxford University Press

ISBN: 9780190274023

Category: Literary Criticism

Page: 217

View: 688

The Moral Economies of American Authorship argues that the moral character of authors became a kind of literary property within mid-nineteenth-century America's expanding print marketplace, shaping the construction, promotion, and reception of texts as well as of literary reputations. Using a wide range of printed materials--prefaces, dedications, and other paratexts as well as book reviews, advertisements, and editorials that appeared in the era's magazines and newspapers--The Moral Economies of American Authorship recovers and analyzes the circulation of authors' moral currency, attending not only to the marketing of apparently ironclad status but also to the period's not-infrequent author scandals and ensuing attempts at recuperation. These preoccupations prove to be more than a historical curiosity-they prefigure the complex (if often disavowed) interdependence of authorial character and literary value in contemporary scholarship and pedagogy. Combining broad investigations into the marketing and reception of books with case studies that analyze the construction and repair of particular authors' reputations (e.g., James Fenimore Cooper, Mary Prince, Elizabeth Keckley, Frederick Douglass, Harriet Beecher Stowe, and E.D.E.N. Southworth), the book constructs a genealogy of the field's investments in and uses of authorial character. In the nineteenth century's deployment of moral character as a signal element in the marketing, reception, and canonization of books and authors, we see how biography both vexed and created literary status, adumbrating our own preoccupations while demonstrating how malleable-and how recuperable-moral authority could be.

Nineteenth Century American Women Writers and Theologies of the Afterlife

She has published articles on the life and writings of Catharine Maria Sedgwick in the 2013 Annual Edition of Literature in the Early American Republic: Annual Studies on Cooper and His Contemporaries; and in the Summer 2010 issue of ...

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Author: Jennifer McFarlane-Harris

Publisher: Routledge

ISBN: 9781000407297

Category: Literary Criticism

Page: 244

View: 973

This collection analyzes the theme of the "afterlife" as it animated nineteenth-century American women’s theology-making and appeals for social justice. Authors like Harriet Beecher Stowe, Elizabeth Stuart Phelps, Martha Finley, Jarena Lee, Maria Stewart, Zilpha Elaw, Rebecca Cox Jackson, Catherine Maria Sedgwick, Elizabeth Palmer Peabody, Belinda Marden Pratt, and others wrote to have a voice in the moral debates that were consuming churches and national politics. These texts are expressions of the lives and dynamic minds of women who developed sophisticated, systematic spiritual and textual approaches to the divine, to their denominations or religious traditions, and to the mainstream culture around them. Women do not simply live out theologies authored by men. Rather, Nineteenth-Century American Women Writers and Theologies of the Afterlife: A Step Closer to Heaven is grounded in the radical notion that the theological principles crafted by women and derived from women’s experiences, intellectual habits, and organizational capabilities are foundational to American literature itself.

The Illiberal Imagination

Romances of the Republic: Women, the Family, and Violence in the Literature of the Early American Nation. New York: Oxford University Press, ... Early American Republic: Annual Studies on Cooper and His Contemporaries 1 (2009): 89–131.

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Author: Joe Shapiro

Publisher: University of Virginia Press

ISBN: 9780813940526

Category: Literary Criticism

Page: 278

View: 578

The Illiberal Imagination offers a synthetic, historical formalist account of how—and to what end—U.S. novels from the late eighteenth century to the mid-1850s represented economic inequality and radical forms of economic egalitarianism in the new nation. In conversation with intellectual, social, and labor history, this study tracks the representation of class inequality and conflict across five subgenres of the early U.S. novel: the Bildungsroman, the episodic travel narrative, the sentimental novel, the frontier romance, and the anti-slavery novel. Through close readings of the works of foundational U.S. novelists, including Charles Brockden Brown, Hugh Henry Brackenridge, Catharine Maria Sedgwick, James Fenimore Cooper, and Harriet Beecher Stowe, Joe Shapiro demonstrates that while voices of economic egalitarianism and working-class protest find their ways into a variety of early U.S. novels, these novels are anything but radically dialogic; instead, he argues, they push back against emergent forms of class consciousness by working to naturalize class inequality among whites. The Illiberal Imagination thus enhances our understanding of both the early U.S. novel and the history of the way that class has been imagined in the United States.

The Routledge Introduction to American Drama

Argetsinger sees the play responding to the call for a national literature and argues it has three didactic aims of “reaffirming the ... Literature in the Early American Republic: Annual Studies on Cooper and His Contemporaries, vol.

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Author: Paul Thifault

Publisher: Routledge

ISBN: 9781000598698

Category: Literary Criticism

Page: 214

View: 460

This volume provides an accessible and engaging guide to the study of American dramatic literature. Designed to support students in reading, discussing, and writing about commonly assigned American plays, this text offers timely resources to think critically and originally about key moments on the American stage. Combining comprehensive coverage of the core plays from the post-Revolutionary era to the present, each chapter includes: historical and cultural context of each of the plays and their distinctive literary features clear introductions to the ongoing critical debates they have provoked collaborative prompts for classroom or online discussion annotated bibliographies for further research With its accessible prose style and clear structure, this introduction spotlights specific plays while encouraging students to contemplate timely questions of American identity across its selected span of US theatrical history.

The Chainbearer

Lance Schachterle, “The Themes of Land and Leadership in 'The Littlepage Manuscripts,'” Literature in the Early American Republic: Annual Studies on Cooper and His Contemporaries 1 (New York: AMS Press, 2009), 89–131.

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Author: James Fenimore Cooper

Publisher: State University of New York Press

ISBN: 9781438480664

Category: Fiction

Page: 562

View: 713

Cooper’s The Chainbearer presents an exciting narrative that interrogates issues of what it means to own land. The novel examines the claims of ownership of wilderness land among Native Americans, New England squatters, and the old New York families with legal deeds. In 1845 and 1846, James Fenimore Cooper published The Littlepage Manuscripts, a trilogy reflecting on the anti-rent movement among small farmers leasing parcels in the Hudson Valley who had begun protesting against the land ownership of the old Dutch patroons. Tracing four generations of the landowners, the trilogy focused on fundamental issues of what land ownership meant under the US Constitution—which Cooper understood to guarantee absolute rights of property ownership—and also the legitimacy of such ownership of land taken from the Native Americans who did not hold such doctrines. Cooper told his British publisher that the guiding theme of The Chainbearer (1845), the second novel in the series, was "Revolution," which he presented by beginning the novel with recounting the heroic participation of his hero, Mordaunt Littlepage, in the American Revolution. In 1784, to manage his family's holdings, Mordaunt ventures into the wilds of upper New York, where settlers, many from New England, hoped the Revolution had dissolved their "feudal" commitments to the legal owners. There he encounters one of Cooper's archetypal demagogues, Jason Newcome, who manipulates the settlers to his advantage, as well as an old family friend, Susquesus, the "upright Onondago," who challenges Mordaunt to justify what it means to claim private ownership of land his people held in common. The plot culminates with characteristic flee-and-capture excitement when a lawless squatter, Aaron "Thousandacres," imprisons the hero, who is ultimately freed through the agency of his faithful Dutch surveyor, Andries Coejemans, the "Chainbearer," and his beautiful niece Ursula, whom Mordant ultimately marries—despite her lower-class heritage. The editors have prepared this scholarly edition from the extant manuscript at the American Antiquarian Society. They provide detailed accounts of the genesis of the novel and of their editorial procedures. This edition also contains explanatory notes for the historical references, as well as an essay on the history of the anti-rent movement by John P. McWilliams. The Writings of James Fenimore Cooper The distinguished Cooper scholar James Franklin Beard (1919–1989) began organizing the Writings of James Fenimore Cooper in the late 1960s, as his work on publishing the monumental Letters and Journals of James Fenimore Cooper came to fulfillment. Beard's intention was to provide readers with sound scholarly editions of Cooper's major works, based wherever possible on authorial manuscripts. To date, the Writings of James Fenimore Cooper has made available texts of many of Cooper's best-known novels, as well as some of his most important works of political and social commentary. Lance Schachterle is Professor of English in the Department of Humanities and Arts at Worcester Polytechnic Institute. James P. Elliott is Professor of English at Clark University in Worcester, Massachusetts.

Handbook of the American Novel of the Nineteenth Century

Literature in the Early American Republic: Annual Studies on Cooper and His Contemporaries 1 (2009): xi–xii, 29–55. Dimock, Wai-chee. Empire For Liberty: Melville And The Poetics Of Individualism. Princeton: Princeton UP, 1989.

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Author: Christine Gerhardt

Publisher: Walter de Gruyter GmbH & Co KG

ISBN: 9783110481327

Category: Literary Criticism

Page: 584

View: 799

This handbook offers students and researchers a compact introduction to the nineteenth-century American novel in the light of current debates, theoretical concepts, and critical methodologies. The volume turns to the nineteenth century as a formative era in American literary history, a time that saw both the rise of the novel as a genre, and the emergence of an independent, confident American culture. A broad range of concise essays by European and American scholars demonstrates how some of America‘s most well-known and influential novels responded to and participated in the radical transformations that characterized American culture between the early republic and the age of imperial expansion. Part I consists of 7 systematic essays on key historical and critical frameworks ― including debates aboutrace and citizenship, transnationalism, environmentalism and print culture, as well as sentimentalism, romance and the gothic, realism and naturalism. Part II provides 22 essays on individual novels, each combining an introduction to relevant cultural contexts with a fresh close reading and the discussion of critical perspectives shaped by literary and cultural theory.

The Routledge Introduction to American Renaissance Literature

century America without coming to terms with his work, and those who come to it for the first time are likely to be surprised at how ... Literature in the Early American Republic: Annual Studies on Cooper and His Contemporaries, Vol. 3.

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Author: Larry J. Reynolds

Publisher: Routledge

ISBN: 9781317615705

Category: Literary Criticism

Page: 208

View: 533

Examining the most frequently taught works by key writers of the American Renaissance, including Poe, Emerson, Fuller, Douglass, Hawthorne, Melville, Thoreau, Jacobs, Stowe, Whitman, and Dickinson, this engaging and accessible book offers the crucial historical, social, and political contexts in which they must be studied. Larry J. Reynolds usefully groups authors together for more lively and fruitful discussion and engages with current as well as historical theoretical debates on the area. The book includes essential biographical and historical information to situate and contextualize the literature, and incorporates major relevant criticism in each chapter. Recommended readings for further study, along with a list of works cited, conclude each chapter.